As Marvel’s Black Panther takes its well-deserved seat in the billion-dollar club, we prepare for what looks like is going to be the crossover film of the decade. But will it’s sales out-do the multiple record-breaking Black Panther? It may not get the chance to catch up if the Digital and Blu-Ray release continues Black Panther’s winning streak.
Stats aside, a lot of us are looking forward to visiting Wakanda again. It’s been a cultural phenomenon that has taken the world by storm. Africans worldwide including the diaspora are embracing and celebrating their African roots in the spirit of Black Panther’s marvellous execution of African beauty and tradition. Wakanda has become the metaphor for the African spirit that connects us all.
Director Ryan Coogler has expressed the level of pressure he felt while making this film, as it was so apparent to everyone that nothing like it had ever been made before. The cast and crew were passionate about honouring the image of African culture and this passion translated over into its music as well. TDE (Top Dawg Entertainment) artist Kendrick Lamar was approached to produce the soundtrack for the film. In a Fader interview with David Redshaw, Coogler explains Kendrick Lamar’s evolving involvement in the film’s soundtrack.
“At first, he was just going to do a few songs for the film. Then he came in and watched quite a bit of the movie, and the next thing I know, they were booking a studio and they were going at it.”
Having explored South Africa’s rich culture and outstanding musical talent, TDE reached out to some of their favourite SA artists to collaborate with on the Black Panther soundtrack. The soundtrack includes local artists Babes Wodumo, Sjava, Saudi, Reason and Yugen Blakrok. As the standout performance on the soundtrack, I had to get in touch with the Johannesburg poet and MC for a brief chat about her involvement in the project and the creative process behind her craft.
Featured on the fifth track of the Black Panther album, titled ‘Opps’, Yugen Blakrok raps alongside Vince Staples and Kendrick Lamar, proving that black women in hip-hop are a force to be reckoned with.
Let’s start with the creative process behind your art. How did you come up with your stage-name and how does it relate to your style?
It’s a combination of sound and feeling. Yugen from the concept of awareness of the unseen and Blakrok for its weight and strength. The essence of my style is Yugen, my method is Blakrok.
Your style fits very well with the theme of Black Panther’s strong female characters. Did you know much about Black Panther before working on this feature or did you have to do some research?
I knew a bit about the film from trailers and comic books, I never imagined I’d be in any way involved with it. The idea of a strong female character is something that permeates all of my writing, regardless – this is something I identify with.
How were you approached to take part in this project?
I got an email from Sounwave, saying he wanted me on a project they were working on. I lost my mind. I was on tour in Europe, physically drained and didn’t think I’d have the time to do it but I gave it a shot anyway.
What challenges did you face working on this project that were new to you?
It was a different level of pressure. With my own work, I like to take my time and really get into it. With this project, even though Black Panther hadn’t been mentioned, it was chaotic. I wrote as fast as I could and went looking for a studio to record this mystery verse in. When I got to the studio in Berlin, LMNZ had a tea ceremony prepared. I recorded the verse, sent it and forgot about it.
Did you know who else would be featured on this track or did that come as a surprise?
It was a surprise. After I came back to Johannesburg, I received a call letting me know that the verse would be used for the movie. When that tracklist dropped, I was screaming with the rest of the world.
What do you think about Black Panther’s cast as an all-black ensemble?
It’s fantastic that the movie has a brilliant, all-black ensemble. It’s not often that you see black people in powerful roles TOGETHER. I hope it fuels, inspires and drives more people of colour to break these boxed roles we’re constantly forced into.
With Black Panther, do you think the representation of black people in media is evolving?
I think it’s changing and for the most part, improving.
Your increasing fanbase, especially African fans, are bound to be moved and inspired by how well you represented South Africa’s creative ability to an international audience. Were you aware of the impact you might make?
Well, I aim to do best at any given opportunity. The only pressure I feel is to outdo myself. The fact that I didn’t know I was working on the Black Panther soundtrack is a blessing within a blessing. I didn’t know how much the folks over at TDE (Top Dawg Entertainment) knew about South Africa or if this might be their first time hearing an emcee from here, I just wanted to play my damn part.
What advice would you give to other young entertainers and creatives?
Blinders on, run your race and finish. Nothing else matters.